Bruce Grenville on Eric Deis – pdf

Posted by on Mar 12, 2012 in Commissioned Text Series, Texts | No Comments

It is a sad picture, and one that carries a surprising anxiety. The small house is surrounded by chain link fencing, topped with barbed wire, a ‘beware of dog’ sign bars the door, and nearby another hand-scrawled posting advises that the house and lot are not for sale. It is a tiny fortress, buttressed against a panic driven transformation of the urban landscape – last chance to buy, last chance to save the house, last chance to escape – it is hard to tell which is more important – but it is definitely the last chance.

Jordan Strom on T+T – pdf

Posted by on Mar 12, 2012 in Commissioned Text Series, Texts | No Comments

In summer of 2007 a banner was proudly unfurled from one of the upper stories of a newly erected condominium tower on the north footing of Vancouver’s Cambie Street Bridge. Printed on it was a picturesque image of False Creek complete with knock-off geodesic dome and striated, pinky-orange sky. The vista approximated the view from the apartments on the opposite side of the building; as the building itself prevented the viewers of the ad, mainly commuters driving, biking or walking southward on the bridge, from seeing the actual vista, the image, in effect, stood in for the view. Below the picture was the phrase, “Who needs art?”

Digital Natives – Book Publication

Posted by on Mar 11, 2012 in Publications | No Comments

Other Sights for Artists’ Projects and the City of Vancouver Public Art Program are pleased to announce the release of a book publication documenting the public art project Digital Natives, presented on the electronic billboard at the Burrard Street Bridge, in Vancouver, Canada.

T+T False Creek – Book Publication

Posted by on Mar 11, 2012 in Publications | No Comments

The work of T&T (Tony Romano and Tyler Brett) reflects on ideas of sustainability, green architecture and technological progress. Their artworks frequently include elements of natural systems such as solar power and organic filters in conjunction with recycled and reconfigured technology. Over the course of their diverse artistic practice, they have developed a survivalist-informed aesthetic, creating whimsical, yet critically considered artworks that provide astute commentary on our historical moment.