QA CHEW’S BUBBLE TROUBLE UNLIMITED GUM EDITION
A product of Big Rock Candy Mountain, QA CHEW’s BUBBLE TROUBLE was developed with the Grade 6/7 students in Karen Sandu’s class at Queen Alexandra Elementary School in East Vancouver.
QA CHEW’S BUBBLE TROUBLE GUM LAUNCH
Artists Helen Reed and Hannah Jickling, along with Queen Alexandra Grade 6/7 Students have been working hard of 2017-2018 to bring you the QA CHEW’S BUBBLE TROUBLE gum edition. Join them for the launch of their edition on Halloween!
Sour vs Sour – Chocolate Bar Edition
Big Rock Candy Mountain – Sour vs Sour – As part of a 3-month engagement with a Queen Alexandra Elementary School grade 3/4 class, artists Hannah Jickling & Helen Reed taste-tested a range of flavours and developed a miscellaneous vocabulary to describe them: sounds, shapes, words, elaborate fonts, synesthetic line drawings and emojis. With visits to-and-from East Van Roasters, the group learned about single-origin, fairly traded dark chocolate and navigated its tense (and tacky) conflation with cheap candy from the gas station nearby.
Narvaez Bay: Tidal Predictions for 2012 – Book Publication
The score for Narvaez Bay: Tidal Predictions for 2012 forms a calendar in which the daily tide levels predicted to occur over the course of a year are transcribed onto a musical scale.
Group Search / Memory Palace – Book Publication
Other Sights for Artists’ Projects and Doryphore Independent Curators, the Vancouver Public Library and the City of Vancouver Public Art Program are delighted to announce a new publication that documents Group Search and Memory Palace, presented as part of Inside the Library Curatorial Initiatives.
Grow diy Manual – Book Publication
From May 1st to November 30, 2011 Other Sights for Artists’ Projects presented Grow, a project by Vancouver artist Holly Schmidt. The Grow DIY Manual draws from the writing and creative projects generated during the project.
Informal Communities – pdf
The Grow Project and the Bulkhead Urban Agriculture Lab began germinating long before the first seeds were sown and ended long after the harvesting of carrots, mustards greens, pumpkins, and other crops. A concatenation of performance art, sculpture, social practice and still unnamed forms of emergent creativity, Grow was a year-long event that took up sustainability and knowledge exchange as a fluid process of gardening, workshops, walks and other public events…
Holly Ward on Köbberling & Kaltwasser – pdf
Folke Köbberling and Martin Kaltwasser’s The Games are Open presently takes the form of an oversized bulldozer that sits on the west side of Vancouver’s Southeast False Creek’s Olympic Village. A gargantuan mock-up of the very machine that was recently used to raze the surface upon which it sits, the object appears to be permanent, dominating and perhaps even obtuse. Appearances, in this case, can be misleading. Rather than a static example of ‘plop art’, this colossal model performs a dialectical dance between notions of legacy and the forces of entropy, operating in turn as both monument and anti-monument.