he two giant video screens at Granville and Robson normally snap and crackle with quick-hitting, colourful ads for companies such as Telus, Fido and WestJet. But next week, they’ll be showing something something completely different: two short films by internationally acclaimed artist Antonia Hirsch.
Nestled among flashy ads and quick-bite movie trailers at Robson and Granville is a new experience from visual artist Antonia Hirsch called Vox Pop. The Video project features two separate sequences, one in which the camera pans the stadium at the same rate as the sporting-event fans’ wave would be followed. The camera then rests on a sole male spectator, who rises as if taking part in the wave. Both one-minute sequences are inserted between ads.
Vancouver Public Library November 2006 – February 2007 The visual economy of Vancouver streets includes both official and unofficial modes of public address. In transitional locations, such as hoardings that surround new construction or buildings slated for demotion, one often sees advertising posters. This ‘grey’ marketing practice occupies such contingent real estate on a temporary […]