The Larwill Park site holds a unique place in the history of Vancouver. Distinguished first as a cricket and lacrosse pitch by early sportsmen, the lot hosted countless demonstrations, jubilees and celebrations, visits from colonial royalty, military exercises, goats, a chain gang, riots and fairs. This platform for celebration and for protest is now the proposed site of the new Vancouver Art Gallery.
Join urbanist Sarah Moore on an hour-long walk and mobile listening party that considers the stories and spaces of False Creek, from fertile tidal flats to its current state. Sea Legs is one of a series of podcasts based on and informed by The Foreshore Sessions.
Anchored in the waters of False Creek with views to the last remaining undeveloped waterfront of Northeast False Creek, the camera obscura offers participants a multi-sensory experience, connecting with real time in the act of seeing a highly detailed reflection of the water and landscape that is both familiar and remarkable at the same time. Light entering a simple lens fitted within the dark, tent-like structure, projects a real-time image of the surrounding environment, where, upside down and backwards, it falls onto a screen. With distant viaducts turned on end, and the water rising, the elusive image conjures the conditions of the foreshore as a place of constant flux and asks what is, as yet, unseen?