BLUE CABIN SPEAKER SERIES: FLOATING ARTIST RESIDENCY
Join us for a conversation with the Blue Cabin project founding partners, Glenn Alteen, Esther Rausenberg, and Barbara Cole, as they talk about their four-year process of saving, remediating, and repurposing the cabin. They will also speak about the project as it moves into its next phases of development, drawing us closer to its launch as a floating artist residency and heritage engagement site.
Coastal Camera Obscura
Anchored in the waters of False Creek with views to the last remaining undeveloped waterfront of Northeast False Creek, the camera obscura offers participants a multi-sensory experience, connecting with real time in the act of seeing a highly detailed reflection of the water and landscape that is both familiar and remarkable at the same time. Light entering a simple lens fitted within the dark, tent-like structure, projects a real-time image of the surrounding environment, where, upside down and backwards, it falls onto a screen. With distant viaducts turned on end, and the water rising, the elusive image conjures the conditions of the foreshore as a place of constant flux and asks what is, as yet, unseen?
Coastal Camera Obscura
or one week at the height of the summer, Other Sights welcomes kayakers, canoeists and paddleboaters to paddle into the Coastal Camera Obscura, a floating artwork that is both sculpture and optical device. Overseers will assist with entering and exiting the structure, while on shore, guides will assist those without access to boats to climb into 1 and 2-person kayaks and accompany them to the artwork.
Anchored in the waters of False Creek with views to the last remaining undeveloped waterfront of Northeast False Creek, the camera obscura offers participants a multi-sensory experience, connecting with real time in the act of seeing a highly detailed reflection of the water and landscape that is both familiar and remarkable at the same time. Light entering a simple lens fitted within the dark, tent-like structure, projects a real-time image of the surrounding environment, where, upside down and backwards, it falls onto a screen. With distant viaducts turned on end, and the water rising, the elusive image conjures the conditions of the foreshore as a place of constant flux and asks what is, as yet, unseen?
The Foreshore: Session 2
Justin Langlois and Holly Schmidt will share their research into the creation of The Floating School, a multi-year artist-led research, production, and programming initiative that will explore retreat as both a theoretical and methodological proposition. From its physical infrastructure to its curricular framework, The Floating School will examine retreat as necessary indulgence, retreat as long-term strategy, and retreat as active movement in an opposite direction.
Slow Dirt
Other Sights presents a three-part artwork created for Urgent Imagination: Art and Urban Development, a multi-site public art exhibition and 2-day conference that focuses on development in the Mount Pleasant neighbourhood.
Slow Dirt: A Multi-Site Public Art Exhibition
At the invitation of The Western Front, Vancouver, Other Sights presents a three-part artwork created for Urgent Imagination: Art and Urban Development, a multi-site public art exhibition and 2-day conference that focuses on development in the Mount Pleasant neighbourhood.
Tailgate Event: Monument to Mysterious Fires
On the occasion of the Capture Photography Festival, Other Sights has transformed 4 billboards at Quebec Street and East 5th Avenue into a temporary monument, commemorating the mysterious fires that have taken place in the Main Street vicinity of Mount Pleasant. Addressing the east/west and the north/south axes of the city and how they factor in the currencies of ‘views’ as well as the escalation of property values creeping eastward, Monument to Mysterious Fires triggers historical and recent memories of the neighbourhood. The billboards, set perpendicular to one another, carve out a sculptural space within a parking lot, in which to gather and reflect on the transformation of the city.
Monument to Mysterious Fires
On the occasion of the Capture Photography Festival, Other Sights has transformed 4 billboards at Quebec Street and East 5th Avenue into a temporary monument, commemorating the mysterious fires that have taken place in the Main Street vicinity of Mount Pleasant. Addressing the east/west and the north/south axes of the city and how they factor in the currencies of ‘views’ as well as the escalation of property values creeping eastward, Monument to Mysterious Fires triggers historical and recent memories of the neighbourhood. The billboards, set perpendicular to one another, carve out a sculptural space within a parking lot, in which to gather and reflect on the transformation of the city.
Deadhead – Book Publication
Throughout the summer of 2014, Deadhead, a large-scale sculptural installation by Cedric, Nathan and Jim Bomford, traveled by barge and tug to moor in two different Vancouver waterways. Constructed primarily from salvaged materials with some areas wrapped in photographic murals, this curious marine outpost asserted a presence that both troubled and delighted.
The Games Are Open – Book Publication
In 2010, as Vancouver’s South East False Creek began its new life as Canada’s largest ‘green’ housing development, the Berlin-based artist team of Folke Köbberling and Martin Kaltwasser used materials recycled from the Olympic and Paralympic Winter Games Athletes’ Village to create a situation of exchange and cooperation. Over a nine-week period, the artists and curator led a team of 36 volunteers and students in the construction of a hollow, larger-than-life bulldozer whose empty cavities were filled with soil and compost to hasten the artists’ intent for the artwork to decompose and provide fodder for new growth.