Kara Uzelman will present a new work, ‘Where the Necessary Tools Do Not Exist, the Thoughts in Question are Not Expressed and Not Even Conceived’.
Holly Ward will discuss her ‘Monument to the Vanquished Peasants’ (2016) a public intervention located on an empty lot at Broadway and Carolina and based on Albrecht Durer’s plans for a monument to commemorate the bloody Peasant Uprisings of 1525. Serving as an inquiry into the potential role of collective action and class solidarity the work considers Vancouver’s overheated and unsustainable real estate market in relation to the fate of serfs and their right to the commons.
Folke Köbberling and Martin Kaltwasser’s The Games are Open presently takes the form of an oversized bulldozer that sits on the west side of Vancouver’s Southeast False Creek’s Olympic Village. A gargantuan mock-up of the very machine that was recently used to raze the surface upon which it sits, the object appears to be permanent, dominating and perhaps even obtuse. Appearances, in this case, can be misleading. Rather than a static example of ‘plop art’, this colossal model performs a dialectical dance between notions of legacy and the forces of entropy, operating in turn as both monument and anti-monument.