Other Sights for Artists’ Projects
Koh will open a conversation with other producers about working between typical disciplines. The idea of interdisciplinarity or boundary-crossing may be quite fashionable academically, but actually attempting to make headway outside one’s field of specialization can be fraught with frustration — and filled with potential. Koh will speak to the feeling of being always “in-between” and her impulse to move her work outside of the gallery system, in the belief that it can make a bigger difference there.
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The Foreshore is a year-long collaboration between Access Gallery and Other Sights’ for Artist Projects inspired by the deep influence of the waterways on our cities and societies on the West Coast.
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Lawrence Paul Yuxweluptun is a renowned Vancouver-based artist of Coast Salish and Okanagan descent. For the Larwill Park site, he has conceived a group of sculptures that mark the site with brilliantly coloured ovoid forms.
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Big Rock Candy Mountain is a flavor incubator and taste-making think-tank with elementary school students. The project takes its name from a folk song that has been revised and rewritten countless times over the past hundred years to reflect a comic utopia, where we hear a “…buzzin’ of the bees in the peppermint trees, ’round the soda water fountains.”
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The Larwill Park site holds a unique place in the history of Vancouver. Distinguished first as a cricket and lacrosse pitch by early sportsmen, the lot hosted countless demonstrations, jubilees and celebrations, visits from colonial royalty, military exercises, goats, a chain gang, riots and fairs. This platform for celebration and for protest is now the proposed site of the new Vancouver Art Gallery.
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On the occasion of the Capture Photography Festival, Other Sights has transformed 4 billboards at Quebec Street and East 5th Avenue into a temporary monument, commemorating the mysterious fires that have taken place in the Main Street vicinity of Mount Pleasant. Addressing the east/west and the north/south axes of the city and how they factor in the currencies of ‘views’ as well as the escalation of property values creeping eastward, Monument to Mysterious Fires triggers historical and recent memories of the neighbourhood. The billboards, set perpendicular to one another, carve out a sculptural space within a parking lot, in which to gather and reflect on the transformation of the city.
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On the occasion of the Capture Photography Festival, Other Sights has transformed 4 billboards at Quebec Street and East 5th Avenue into a temporary monument, commemorating the mysterious fires that have taken place in the Main Street vicinity of Mount Pleasant. Addressing the east/west and the north/south axes of the city and how they factor in the currencies of ‘views’ as well as the escalation of property values creeping eastward, Monument to Mysterious Fires triggers historical and recent memories of the neighbourhood. The billboards, set perpendicular to one another, carve out a sculptural space within a parking lot, in which to gather and reflect on the transformation of the city.
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Throughout the summer of 2014, Deadhead, a large-scale sculptural installation by Cedric, Nathan and Jim Bomford, traveled by barge and tug to moor in two different Vancouver waterways. Constructed primarily from salvaged materials with some areas wrapped in photographic murals, this curious marine outpost asserted a presence that both troubled and delighted.
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“Deadhead” is a large-scale sculptural installation mounted to a barge and towed by tug to different locations along Vancouver’s waterways. Created by Cedric Bomford in collaboration with his father Jim Bomford (a retired engineer), and brother Nathan Bomford (an artist and builder), the sculpture is constructed primarily from salvaged materials, with some sections wrapped in photographic murals. A curious marine outpost, Deadhead’s enigmatic spaces are designed for public access. This floating artwork begins its life on the water with summer moorage in Heritage Harbour at the Vancouver Maritime Museum from June 14 to September 3, 2014.
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The score for Narvaez Bay: Tidal Predictions for 2012 forms a calendar in which the daily tide levels predicted to occur over the course of a year are transcribed onto a musical scale.
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