The Foreshore: Session 7

Buster Simpson will speak about how aesthetics can provoke curiosity, discovery and connections that reveal the multiple, sometimes conflicting layers of meaning intrinsic to place. In this way artists working in the public realm can provide a counter balance and edge to the proliferation of the notion of spectacle, such as “way finding”, “branding” and “identity packaging”.
The Foreshore: Session 6

Reflecting on texture: riparian to foreshore. Cecily Nicholson will talk on poetics entrenched in movement, studies that contribute to all sorts of connection, such as solidarity, and undoing, such as decolonization. “there can, of course, be no apolitical…” (Mohanty, 1984).
The Foreshore: Session 5

Koh will open a conversation with other producers about working between typical disciplines. The idea of interdisciplinarity or boundary-crossing may be quite fashionable academically, but actually attempting to make headway outside one’s field of specialization can be fraught with frustration — and filled with potential. Koh will speak to the feeling of being always “in-between” and her impulse to move her work outside of the gallery system, in the belief that it can make a bigger difference there.
The Foreshore
The Foreshore is a year-long collaboration between Access Gallery and Other Sights’ for Artist Projects inspired by the deep influence of the waterways on our cities and societies on the West Coast.
Big Rock Candy Mountain
Big Rock Candy Mountain is a flavor incubator and taste-making think-tank with elementary school students. The project takes its name from a folk song that has been revised and rewritten countless times over the past hundred years to reflect a comic utopia, where we hear a “…buzzin’ of the bees in the peppermint trees, ’round the soda water fountains.”
THE LARWILL PARK SITE PUBLIC ART PROJECTS
The Larwill Park site holds a unique place in the history of Vancouver. Distinguished first as a cricket and lacrosse pitch by early sportsmen, the lot hosted countless demonstrations, jubilees and celebrations, visits from colonial royalty, military exercises, goats, a chain gang, riots and fairs. This platform for celebration and for protest is now the proposed site of the new Vancouver Art Gallery.