The Foreshore: Session 10

Vanessa Richards will lead a conversation-in-action on the reclamation of the body as instrument of change and song in common life.
Marcus Youssef will share his insights on how good activism needs good theatre. He’ll address how the process of collaborating across difference affects, challenges, and strengthens creative practice.
The Foreshore: Session 9

Gelardin will present a selection of projects from StoreFrontLab’s (San Francisco) current season of installations, happenings, discussions and workshops that address America’s sociopolitical climate using the agency of art and public engagement. The series, entitled NOW!, invites an evaluation of progress and demands an end to regressive values through direct action and counteraction.
Prentice asks do therapeutic practices and theories help or hinder social change? Considering the longstanding frictional relationship between Marxism and Freudian theory to the endpoint of today’s tendency to look for an analysis of political events in psychological terms, it would seem that therapy and politics make uneasy bedfellows.
The Foreshore
The Foreshore is a year-long collaboration between Access Gallery and Other Sights’ for Artist Projects inspired by the deep influence of the waterways on our cities and societies on the West Coast.
Big Rock Candy Mountain
Big Rock Candy Mountain is a flavor incubator and taste-making think-tank with elementary school students. The project takes its name from a folk song that has been revised and rewritten countless times over the past hundred years to reflect a comic utopia, where we hear a “…buzzin’ of the bees in the peppermint trees, ’round the soda water fountains.”
I Know What I Want: Open Studio
In July 2013, Other Sights collaborated with The Western Front and 221A on a publicly-sited research intensive about the possible futures of the Kingsway, Broadway and Main Street neighbourhood in Vancouver. The process began by conducting interviews with local independent business people, cultural leaders and members of the design and planning community.
Double Book Launch: The Games Are Open and Deadhead

The Games are Open documents the transformation of Folke Köbberling and Martin Kaltwasser’s bulldozer sculpture that occupied interim lands on the edge of Vancouver’s Olympic Village, while Deadhead explores the process and ideas behind Cedric, Nathan and Jim Bomford’s ambitious floating artwork.
When The Hosts Come Home
After the Vancouver 2010 Olympic and Paralympic athletes gathered their medals and returned to their respective countries, Vancouver’s Olympic Village reverted from dormitory to “home” as condominium owners began to gradually move into the new “Village on False Creek”.