“Deadhead” is a large-scale sculptural installation mounted to a barge and towed by tug to different locations along Vancouver’s waterways. Created by Cedric Bomford in collaboration with his father Jim Bomford (a retired engineer), and brother Nathan Bomford (an artist and builder), the sculpture is constructed primarily from salvaged materials, with some sections wrapped in photographic murals. A curious aquatic outpost, Deadhead’s enigmatic spaces are designed for public access.
From May 1st to November 30, 2011, Other Sights for Artists’ Projects presented Grow, a project by Vancouver artist Holly Schmidt. Grow was a public art project, teaching tool and creative laboratory for ecological and social sustainability practices. Situated in Vancouver’s Olympic Village, which was intended as a model for sustainable development but surrounded by much debate; this project brought together different interest groups, creative practitioners and publics to address issues of ecological and social sustainability.
This summer Other Sights is collaborating with The Western Front and 221A on a publicly-sited research intensive about the possible futures of the Kingsway, Broadway and Main Street neighbourhood in Vancouver. In addition to conducting interviews with local independent business people, cultural leaders and members of the design and planning community, we have gathered and circulated ideas from neighbours at the recent Western Front 40th Anniversary party.
Other Sights for Artists’ Projects and Doryphore Independent Curators, the Vancouver Public Library and the City of Vancouver Public Art Program are delighted to announce a new publication that documents Group Search and Memory Palace, presented as part of Inside the Library Curatorial Initiatives. In a program running from September 2006 to February 2010, these distinct projects commissioned artists to investigate the potential of the diverse public space of the Vancouver Public Library’s Central Branch while addressing the broader philosophical and symbolic meanings of `the library’.
Other Sights for Artists’ Projects and Doryphore Independent Curators, the Vancouver Public Library and the City of Vancouver Public Art Program are delighted to announce a new publication that documents Group Search and Memory Palace, presented as part of Inside the Library Curatorial Initiatives.
As a lead up to the launch of the Bomford’s Deadhead (working title), a floating sculpture commissioned by Other Sights and Presentation House Gallery, Other Sights’ Communication Office presents the first of a series of conversations about building structures, imaginary, physical or social, at the artists’ GNW studio.
Last summer, residents of Vancouver’s Southeast False Creek neighborhood were drawn into an unusual artistic experiment. On a vacant lot littered with the rusty remnants of the neighborhood’s industrial past, artist Holly Schmidt led volunteers in designing, building, planting,and harvesting a thriving container garden.
The Grow Project and the Bulkhead Urban Agriculture Lab began germinating long before the first seeds were sown and ended long after the harvesting of carrots, mustards greens, pumpkins, and other crops. A concatenation of performance art, sculpture, social practice and still unnamed forms of emergent creativity, Grow was a year-long event that took up sustainability and knowledge exchange as a fluid process of gardening, workshops, walks and other public events…
Founder and Director Claire Doherty discusses the origins and the future of Situations, a commissioning and research program based at the University of West England in Bristol and their current project, Nowhereisland, a large-scale public art project conceived by artist Alex Hartley and commissioned as part of the UK Cultural Olympiad 2012. This island, originating from the Arctic, will journey around the south west region of England this summer, stopping at ports and harbours as a visiting ‘island nation’. Accompanied by its land based Embassy, its six-week journey will finish in Bristol on the 9th September 2012.