The Foreshore: Session 15

Posted by on Jun 12, 2017 in Events, Talk | No Comments
The Foreshore: Session 15

In an approach to decolonization in tentacular thinking, an approach to staying with the trouble, making oddkin, and in a pitch darkness cast by the Enlightenment, Laiwan will speak nearby with recent research navigating creative practice that is, where and what is, distinct from human exceptionalism and instrumental logic.

Plowright will discuss his work with armed groups (some labelled ‘terrorists’), and the attempts to come to an understanding of them as human beings, rather than as monsters, criminals or deviants.

Laiwan is an interdisciplinary artist, writer and educator with a wide-ranging practice based in poetics and philosophy. Born in Zimbabwe of Chinese parents, her family immigrated to Canada in 1977 to leave the war in Rhodesia.

The Foreshore: Session 14

Posted by on Jun 12, 2017 in Events, Talk | No Comments
The Foreshore: Session 14

Ferreira da Silva will comment on what might become possible when thinking reaches beyond the limits of reflection. Reading Octavia E. Butler’s female characters, Dana (Kindred), Lauren Olamina (Parable of the Sower) and Anyanwu (Patternist Series) as black feminist poethical renderings of the Real, she explores the imagination’s capacity to explore the body’s hidden treasure, which is the otherwise of the world as we know it.

Chambers considers that describing dance as ephemeral calls its value into question. It is not only the erasure of embodied experience as a tool for cognition, but more importantly how it functions as a rich, living archive for personal and cultural history, ritual and resistance.

The Foreshore: Session 13

Posted by on Jun 12, 2017 in Events, Talk | No Comments
The Foreshore: Session 13

Kara Uzelman will present a new work, ‘Where the Necessary Tools Do Not Exist, the Thoughts in Question are Not Expressed and Not Even Conceived’.

Holly Ward will discuss her ‘Monument to the Vanquished Peasants’ (2016) a public intervention located on an empty lot at Broadway and Carolina and based on Albrecht Durer’s plans for a monument to commemorate the bloody Peasant Uprisings of 1525. Serving as an inquiry into the potential role of collective action and class solidarity the work considers Vancouver’s overheated and unsustainable real estate market in relation to the fate of serfs and their right to the commons.

The Foreshore: Session 12

Posted by on Jun 12, 2017 in Events, Talk | No Comments
The Foreshore: Session 12

Eric Fredericksen will discuss his interest in how art becomes public, and how sites become specific, through anonymous or publicized interventions, vandalism, parody, and time.

Dr. Cissie Fu will approach questions of political art in public space along three vectors–the aesthetics of taking a stance, the politics in social choreographies, and protest as an artistic gesture–towards teasing out the tensions between presentation and representation, while attending to the resonances between community and commutiny, in the 21st century.

The Foreshore: Session 11

Posted by on Mar 22, 2017 in Events, Workshop | No Comments
The Foreshore: Session 11

ZOE KREYE creates inter-disciplinary art projects that explore transformation, collective experience and negotiations of public.
GUADALUPE MARTINEZ is an Argentine-Canadian artist based in Vancouver. She holds a BFA from IUNA and an MFA from UBC. With the support of a BC Arts Council´s Early Career Development Grant, she is currently developing her research in Performance Art and Pedagogy.

The Foreshore: Session 10

Posted by on Mar 20, 2017 in Events, Talk | No Comments
The Foreshore: Session 10

Vanessa Richards will lead a conversation-in-action on the reclamation of the body as instrument of change and song in common life.

Marcus Youssef will share his insights on how good activism needs good theatre. He’ll address how the process of collaborating across difference affects, challenges, and strengthens creative practice.

The Foreshore: Session 9

Posted by on Mar 6, 2017 in Events, Talk | No Comments
The Foreshore: Session 9

Gelardin will present a selection of projects from StoreFrontLab’s (San Francisco) current season of installations, happenings, discussions and workshops that address America’s sociopolitical climate using the agency of art and public engagement. The series, entitled NOW!, invites an evaluation of progress and demands an end to regressive values through direct action and counteraction.

Prentice asks do therapeutic practices and theories help or hinder social change? Considering the longstanding frictional relationship between Marxism and Freudian theory to the endpoint of today’s tendency to look for an analysis of political events in psychological terms, it would seem that therapy and politics make uneasy bedfellows.

The Foreshore: Session 8

Posted by on Feb 17, 2017 in Events, Talk | No Comments
The Foreshore: Session 8

Vanessa Richards will lead a conversation-in-action on the reclamation of the body as instrument of change and song in common life.

Marcus Youssef will share his insights on how good activism needs good theatre. He’ll address how the process of collaborating across difference affects, challenges, and strengthens creative practice.

The Foreshore: Session 7

Posted by on Feb 5, 2017 in Events, Talk | No Comments
The Foreshore: Session 7

Buster Simpson will speak about how aesthetics can provoke curiosity, discovery and connections that reveal the multiple, sometimes conflicting layers of meaning intrinsic to place.  In this way artists working in the public realm  can  provide a  counter balance and edge  to the proliferation  of the notion of  spectacle, such as   “way finding”, “branding” and  “identity packaging”.

The Foreshore: Session 6

Posted by on Jan 20, 2017 in Events, Talk | No Comments
The Foreshore: Session 6

Reflecting on texture: riparian to foreshore. Cecily Nicholson will talk on poetics entrenched in movement, studies that contribute to all sorts of connection, such as solidarity, and undoing, such as decolonization. “there can, of course, be no apolitical…” (Mohanty, 1984).