Shaun Gladwell: Storm Sequence
Other Sights is pleased to present an excerpt from Storm Sequence, by Australian artist Shaun Gladwell. Although filmed on the other side of the world, Storm Sequence evokes our own rainy coast in conjunction with the global urban subculture of skateboarding.
Pipilotti Rist: Open My Glade
Other Sights is pleased to present Open My Glade by Swiss artist Pipilotti Rist. The artwork consists of a series of 9 one-minute videos inserted into the flow of outdoor advertising screens. The work’s sardonic humour and insights intrude on our encounter with urban social space and exert a powerful and sensual presence.
Aaron Carpenter: Ffinnigans Wwake
As an OFFSITE extension of the Literally exhibition currently installed at Artspeak, Aaron Carpenter’s new video, Ffinnigans Wwake, will be shown on the outdoor screens at Robson and Granville Streets. In consort with his drawings for the exhibition, Carpenter has taken James Joyce’s text and rendered it as a dramatic text crawl akin to the one at the opening of the Star Wars films.
Eric Deis: Last Chance
THE WALL is an exciting new artists’ platform made possible through a unique partnership between the Vancouver Heritage Foundation, JJ Bean, and the CBC. THE WALL will feature a changing program of artworks that respond to and reflect upon Vancouver’s built environment. Other Sights for Artists’ Projects is pleased to be involved in this collaborative initiative as the curator of the inaugurative project, Last Chance.
T & T: False Creek
False Creek was commissioned by the Pendulum Gallery to coincide with the 2010 Olympic and Paralympic Winter Games and is a participating exhibition in Other Sight’s three part series When the Hosts Come Home. Installed in HSBC’s main office building in downtown Vancouver, False Creek comprises three sculptural assemblages, a panoramic print and a children’s colouring centre. Designed by Canadian artists T&T (Tyler Brett and Tony Romano), the exhibition temporarily transforms the corporate environment of a bank and public atrium into an optimistic post-apocalyptic environment.
Digital Natives
Located on Skwxwú7mesh territory in the heart of the city, the digital signs, facing north and south, flashed a static advertisement every ten seconds. Their scale, and their proximity to the bridge made for an assertive relationship to the pedestrians, cyclists and motorists entering and departing downtown, and this occupation of visual space has been the subject of considerable controversy.
For Digital Natives, the billboard became a space for exchange between native and non-native communities in an exploration of language in public space.
Grow
Grow was a public art project situated on the periphery of the Olympic Village in South East False Creek, Vancouver. As part of the Grow project, The Bulkhead Urban Agriculture Lab was an intervention into the last remaining section of undeveloped seawall on the south side of False Creek. Responding to the industrial remnants in this vacant lot, the project posed different solutions for growing food in a post-industrial landscape while creating an informal social space for the sharing of knowledge and ideas.
Instant Coffee: Nothing Happens in Good Weather
Other Sights is pleased to announce the launch of Nothing Happens in Good Weather, a short-term public art project that activates a narrow empty lot on a busy section of South Fraser Street. With wide stripes and strident colour, what was once a gap in the streetscape has been transformed into an aesthetic and social space. Inspiring the community’s imagination, the space encourages impromptu events, performances, or a place to meet with friends.
Köbberling & Kaltwasser: The Games Are Open
As South East False Creek began its new life as Canada’s largest ‘green’ housing development, the Berlin-based artist team of Folke Köbberling and Martin Kaltwasser used materials recycled from the 2010 Olympic and Paralympic Winter Games Athletes’ Village to create a situation of exchange and cooperation. On lands slated for future development, the artists created a 6 x 7 x 14m artwork that invited the participation of new neighbours to liberate the discarded, share excess, and contribute to the building of new forms and meanings.
